Upcoming Exhibitions

Fowler in Focus Exhibition
On Display in the Walled City: Nigeria at the British Empire Exhibition, 1924–1925

September 8, 2019 – January 12, 2020

On Display in the Walled City features 38 objects from the Fowler Museum’s famed Wellcome Collection, which were acquired out of the Nigerian Pavilion during the British Empire Exhibition in Wembley, 1924–1925. Nearly twenty Nigerian men and women were invited to participate as artists in the Exhibition, which showcased British wealth and supremacy while simultaneously stimulating trade with and amongst its various colonies. The artists’ families lived in the “Walled City,” where the Nigerian Pavilion was located, and demonstrated their craft daily to public visitors.

Through Positive Eyes

September 15, 2019 – February 16, 2020

Through Positive Eyes is a large-scale photography and storytelling project created in collaboration with more than 130 people living with HIV/AIDS. The exhibition includes photography and video by artist-activists from 10 cities across the globe and a sculpture installation by Los Angeles–based multimedia artist Alison Saar. Combined, these works conjure a broad picture of the epidemic—ranging from everyday imagery to more abstract meditations on joy, grief, solitude, and resilience. Public programs will incorporate live storytelling in the gallery performed twice weekly by seven HIV-positive Angelenos known as the Los Angeles Through Positive Eyes Collective. This multitude of perspectives and voices coalesce around one core tenet: a belief that challenging stigma against people living with HIV/AIDS is the most effective method for combating the epidemic.

Rina Banerjee: Make Me a Summary of the World

December 8, 2019 – May 31, 2020

Make Me a Summary of the World brings together several of Banerjee’s monumental installations in conversation with more than two dozen sculptures, as well as a thorough selection of works on paper to create an otherworldly and multi-sensory space. Using a variety of gathered materials ranging from African tribal jewelry to colorful feathers, light bulbs, and Murano glass, Banerjee’s works investigate the splintered experiences of identity, tradition, and culture, prevalent in diasporic communities. These sensuous assemblages present themselves simultaneously as familiar and unfamiliar, thriving on tensions between visual cultures and raising questions about exoticism, cultural appropriation, globalization, and feminism.

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